Ah but if I only had a voice,
I would bring them all to shame:
my winged contestants for the spotlight,
my plumèd orchestrators of the dawn.
For I have songs in me that writhe and twist
and churn like bileous fire in the gut,
which keep me awake in rutting lust
and whose unsung echoes taint my dreams.
Songs that bleed like open wounds;
symphonies of solitude that shriek inside my head.
and seep of sorrows still and speechless.
Eulogies for the living.
Lovesongs for the dead.
But I am born an abject mute,
an unstrung harp, a tonedeaf brute.
A breathless horn, a strangled flute;
a tired and weary deadwood lute.
I look down at my clawing hands,
onto keys possessive of their treasure:
a rain of stillborn notes and chords
pattering down without a sound.
The dirge resounds in me alone.
My singing makes the flagstones shatter,
and in its cruel and taunting coda,
my words turn lifeless as my songs.














Comments
an unstrung harp, a tonedeaf brute.
A breathless horn, a strangled flute;
a tired and weary deadwood lute."
Funny that even though you give words to the fact that you don't have the music in you (or coming out) these words do the opposite...
Nice composition. I love free forms, as I can write more in it. You've done well, or should I say Kassandra?
--
"All art is quite useless" - Oscar Wilde
Comment and I shall answer.
Kassandra did stoke the fire, but this time she can't take all the credit. I struggled with large parts of it, mostly because I had to fight myself all the way to resist switching back to rhymed-and-structured mode (hence the part you quote above).
I often have the feeling that free-form is a bit like taking the easy way out. The openness inherent to the free-form (when not mistaken for lack of form) often makes for more of a stream-of-consciousness feel, which detracts from the way most of my poems feel when they are born.
As soon as I start tinkering with any of my embryonic free-forms, my adaptations to the meter bring out the glaring lack of rhyme and assonance, and before I know it, it is no longer free-form, but a hybrid. And I think I like hybrid poetry even less than free-form, as far as generalization will carry that statement...
--
Bork! Bork! Bork!
(-Swedish Chef)
There is a strength in this that does not falter. Hats off to you.
--
I see your beauty in the semi-darkness. You ask me to turn the light on. I falter.
Cheerz m'dear. I'm glad someone likes free-form, eve if I don't really.
--
Bork! Bork! Bork!
(-Swedish Chef)
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